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Bahram Beyzaie with cast of Crossroads during curtain call

Crossroads

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Until it premiered at Stanford, Crossroads had never been published or performed. Staged using a minimalist set, the play is poetic and personal, but poignantly political and historical. It chronicles the havoc brought in the last four decades by tyranny, crass commercialism, faux nationalism, and hypocrisy on the lives of not just two star-crossed lovers but all who pass through the crossroad—people with disrupted, often disfigured, lives.

The play was staged at Stanford University in 2018. The seven sold out performances received much acclaim inside and outside Iran.

Beyzaie Discusses Crossroads

Professor Bahram Beyzaie discusses his play "Crossroads," shortly after the premiere at Stanford. 

Articles and Reviews

Crossroad: Memoir of a Lost World

 A chaotic Tehran scarred by the aftermaths of a revolution, teeming with traumatized, bedazzled human beings and over the brim with prostitutes, criminals and listless pedestrians who shape-shift instantly in front of a camera. Amid the clamorous crowd, two endeavor to redeem this sin city: A woman – Nahal Farokhi– awaiting a postman to reclaim a letter she’s mailed by mistake and a man – Sarang Sahesh– a recently released inmate seeking his old neighborhood. Their stories entangle as they meet by chance on the crossroad and an old palimpsest of a love story unfolds.

Aasoo: "Crossroads," Bahram Beyzaie's Latest Play

"صحنه‌ای مربع‌شکل که در هر چهار طرف خطِ عابرِ پیاده دارد و از سه سو دور آن تماشاگر می‌نشیند. این توصیف ساده‌ی مکان اجرای «چهارراه» است، نمایشی‌‌ که «بهرام بیضایی» در فروردین‌ سال ۱۳۹۷ به روی صحنه آورده و با استقبال بی‌نظیر ایرانیان شمال کالیفرنیا و دیگر تماشاگرانی که از راه‌های دور و نزدیک آمده‌اند مواجه شده است.

BBC Persian: Bahram Beyzaie's Play: Meeting in Tehran 15 Years Later

این نمایش طی هفت اجرا از سوم تا دوازدهم فروردین ۱۳۹۷ در سالن روبل استودیو دانشگاه استنفورد به صحنه رفت که بلیت همه اجراها در چند روز اول پیش فروش شد و استقبال بسیار خوبی از آن به عمل آمد.

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Photo credits: Vahid Zamani